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#Stereo guitar rig professional

This is the same as a wet / dry configuration, however you will be utilizing one extra amplifier resulting in your effects being in true stereo. Here’s a diagram that may illustrate this concept better: Be sure to set the unit to 100% wet in order to avoid any dry signal being applied to your effects. The output from the effects processor then runs into the receive section of your wet amplifier. You will need to run the “send” from the effects loop of your dry amp into an effects processor (like the TC Electronic G-Major). There is, however, a simple way to accomplish this type of setup at home…

#Stereo guitar rig professional

This kind of setup, along with a wet / dry / wet (discussed next) setup is usually utilized by professional guitarists with a setup built by a professional rig builder. You can also maintain a clearer guitar tone without adding extra “mud” to your dry tone. This is a common setup for gigging purposes, as you’re able to send the mixing engineer a separate signal with only your effects for more accurate mixing. When using a wet / dry setup, it will be possible to isolate your effects from your dry signal. If you want to make use of both amps at the same time, you will need an A/B/Y pedal (like the Radial BigShot). Again, this setup is effortless to set up, as all you’re going to require is an A/B switcher pedal (like the Boss AB-2). This is great if you want to use one amp for clean sounds and another for hi-gain. If you’re looking to have 2 amps for individual purposes, then you’re going to require an A/B setup.

You can use a high quality Y-split cable.

Any effects pedal that includes more than one output can be used to split your mono signal into a left and right output.

This rig is relatively simple to accomplish, and can be achieved by using one of the following methods of your choice: It consists of 2 amplifiers with effects running through both of them, hence the name “wet / wet”. This is the most common stereo guitar setup for the home user.

The cheaper alternative to this is to experiment with different configurations in amp simulation like the Line 6 POD, or the Fractal Audio Axe-Fx. But unless you have an abundance of amps lying around or just an extremely large bank account, this kind of experimenting can be on the pricey side. You may also find that combining two completely different amplifiers can work well. For example, one amp may contain E元4 tubes and another EL84. In addition to this, some people like to use a different set of output tubes on each individual amp. If you’re using two of the same amps, configuring the tone of each individual amp slightly differently will give you a stereo spread. The general consensus is to make use of two identical amplifiers and let the effects do the work (ping-pong delay or stereo chorus). The types of amplification you use for a stereo configuration really comes down to personal preference as well as experimentation.